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In fact, Dadaism is still rather a direction of verbal, poetic creativity.
Still, during the period when surrealism had not yet emerged, several bright artists formed their own style.
The main characteristics of Dadism in painting were secondary and collage-like, the use of randomness, amateurism and primitivism.
Based on these characteristics, it is already easy to distinguish several bright names.
First, Francis Picabia, who generally cared more about the names of paintings, and not from creation (for example, he simply redid drawings).
Secondly, the equally scandalous Duchamp, who invented the red-maid. Duchamp openly destroyed the conventions of art, painting a moustache on the Mona Lisa and putting a urinal on the pedestal.
Third, Jean Arp, Kurt Schwitters, early Max Ernst-all of them experimented a lot with collages.